Generous support for the catalogue is provided by Mary Leonard Robinson. Wurtele.Īdditional support is provided by the Robert Lehman Foundation and Susan Swig. Douglas, Jr., Jessica and Matt Farron, Linda and Jon Gruber, Deborah and Kenneth Novack, Nancy and Alan Schatzberg, Lydia Shorenstein, John and Ali Walecka, and Margaret V. Generous support is provided by Breyer Family Foundation, Katherine Harbin Clammer and Adam Clammer, Roberta and Steve Denning, Jean and James E. Major public program support for Pan American Unity is provided by the Walter and Elise Haas Fund. Major support is provided by Doris Fisher, Randi and Bob Fisher, the National Endowment for the Humanities: Democracy demands wisdom, Diana Nelson and John Atwater, The Bernard Osher Foundation, and Sandy Robertson.Īny views, findings, conclusions, or recommendations expressed in this exhibition and catalogue do not necessarily represent those of the National Endowment for the Humanities. Presenting support for Pan American Unity is provided by the Koret Foundation, Helen and Charles Schwab, Pat Wilson, and anonymous donor. On view until March 2024, the mural will then return to CCSF to be installed in a new performing arts center. In partnership with CCSF, SFMOMA presents Rivera’s Pan American Unity in the museum’s free-to-the-public Roberts Family Gallery on Floor 1. More than half a century later, an international team of experts has spent years planning another move. This was possible because Rivera painted this fresco not on a wall, but on ten steel-framed cement panels. Completed with support from local artists and assistants, with scenes of the Bay Area as a backdrop, the mural celebrates the creative spirit through portraits of artists, artisans, architects, and inventors who use art and technology as tools to shape society.Īfter the fair, Pan American Unity - measuring twenty-two by seventy-four feet and weighing over sixty thousand pounds - was moved to the campus of City College of San Francisco (CCSF). The fresco depicts in colorful detail a past, present, and future that the artist believed were shared across North America, calling for cultural solidarity and exchange during a time of global conflict. Working on a scaffold in an airplane hangar before a live audience, Rivera painted The Marriage of the Artistic Expression of the North and of the South on This Continent, commonly known as Pan American Unity, his last mural in the U.S. Ten years after his first stay, Diego Rivera (1886-1957) returned to San Francisco in June 1940 to headline the main fine arts exhibition of the Golden Gate International Exposition on Treasure Island.
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